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Performance Party
WE ARE ALL UNICORNS
5 Jahre TATWERK
6. Dezember 2019 | ab 18 Uhr
Eintritt frei


Event
FÜR EINE GESELLSCHAFT, IN DER DAS NICHT-KLARKOMMEN GEFEIERT WIRD
Malte Schlösser, Thomas Giger, Christoph M Hamann
12. - 13. Dezember 2019



#GLÄNZENSTATTAUSGRENZEN
Die Berliner Erklärung der Vielen


Performance
black box - The black tulips of your cosmic womb, that you know nothing about
Sharing & Q&A
Amelia Emma Forrest, Evelijn Forrest
14. Dezember 2019 | 20:30


im TATWERK proben!
Ab 5€ / Std.


Kooperation/Auf Tour
MÄDCHENORCHESTER
spreeagenten
14.November 2019 | 19 Uhr
Oświęcim / Auschwitz



#GLÄNZENSTATTAUSGRENZEN
Die Berliner Erklärung der Vielen


BERLIN braucht KUNST braucht RAUM
Raumkampagne der Koalition der freien Szene

Mitsuyo Uesugi

mitsuyo
© Makoto Onozuka

 

Mitsuyo Uesugi (born 1950, Japan). Since childhood Uesugi studied classical ballet, later she moved to Tokyo to dance in the Tani Momoko ballet company. In 1973 she met Kazuo Ohno and worked as his assistant till 1985. Her solo Butoh career started in 1975. At the end of 80s Uesugi became a member of the contemporary dance company “Studio DM” in France. After moving back to Japan, she started a Butoh solo series ”SHE”. Over the last decade she created several secret Butoh ritual pieces “Madame Melancholia”/“Mademoiselle Melancholia”/“Baby Melancholia-Dream of six nights”, which were awarded by the Japanese Dance Critics Society in 2009.

Her other recent solo works, “Metal Red Woman”(2008) “Portrait M-Anti deformed-”(2012) and “PASSION” Butoh dance improvisation faction (2013) were highly appreciated by the public and critics.
In 2015 she presented her solo “A Story Of Lady” in Munster/Germany and Zagreb/Croatia in the frames of Kazuo Ohno Festival. 

Currently Mitsuyo Uesugi works as a lecturer at Meiji Gakuin Univercity/ Depertment of Art Studies and teaches her own method of Butoh improvisation. Regularly she gives workshops in the National Choreography Center in France.

www.uesugimitsuyo.com

At TATWERK | PERFORMATIVE FORSCHUNG:

TOWARDS THE DEPTH OF EXISTENCE