Newsletter
 

performance
LOS ALEMANES DEL VOLGA
Wenzel U. Vöcks and Federico Schwindt
September 7th 2019 | 6 pm and 8:30 pm
Afterwrds: Artist's talk with Theaterscoutings
Further shows:
Saturday, October 19th 2019 | 7 and 9:30 pm
Friday, November 1st 2019 | 7 and 9:30 pm
Saturday, November 2nd 2019 | 7 and 9:30 pm


im TATWERK proben!
Ab 5€ / Std.
Presentiert von Motimaru
1. August 2019 | 20:30 Uhr


workshop
FORGETTING THE BODY
Przemysław Błaszczak, Grotowski Institute Poland
September 7th - 8th


Kooperation/In Produktion
MÄDCHENORCHESTER (AT)
Spreeagenten
Premiere: 29. August 2019 im Heimathafen Neukölln



#GLÄNZENSTATTAUSGRENZEN
Die Berliner Erklärung der Vielen


Kooperationen/In Produktion
(you hear it) all the time
Isabelle Kranabetter
August 30th 2019 | 8 pm
Theater im Delphi


Kooperation/in Produktion
SAY MY NAME, SAY MY NAME
Olivia Hyunsin Kim/ddanddarakim
Premiere September 12th 2019 | 8:30 pm | Sophiensaele


cooperation / in production
ANGST VOR DER ANGST
Welcome Project - the foreigner's theatre
September 12th 2019 | Festival Opera Prima (IT)
September 19th 2019 | Festival Il Sacro Attraverso l'Ordinario (IT)


Kooperation/In Produktion
INFLAMMATIONS
Ania Nowak
Premiere: September 19th 2019 | Sophiensaele

Ana Kavalis

anakavalis
© Ana Kavalis

Ana Kavalis is a native-born Cuban dancer, actress and performer. Her path through the performing arts has being as heterogeneous and diverse as her own life. She begins her modern dance studies in the Narciso Medina Dance Academy in Havana, Cuba, learning from teachers like Manolo Vásquez and Tangin Fong. Because of family reasons in 1996 she emigrates to Montevideo, Uruguay, where she decides to initiates herself in the dramatic arts. 2000 she obtains her degree as an Actress at the Escuela Multidisciplinaria de Arte Dramático (E.M.A.D). 2001 she goes to Sao Paulo, Brazil to study the method of acting developed by Antunes Filho and the Macunaíma group in the Centro de Pesquisa Teatral (CPT). There she discover also physical theater, Japan traditional theater and butoh dance, all elements and knowledge that impulse her to begin of what later will be her personal work as a solo performer. In 2004 she arrives in Berlin and stays. From 2005 till 2007 she collaborates with the group Djalma Primordial Science. This very intense experience and their very strong work with the body and the relation to music, empower her to continue working in her own projects looking for a personal language on the stage. Some of her solo-performances pieces after this period are Eurydike-eine Anatomie des Schattens (2007), Pentesilea (2009), Lilith im Spiegel (2011) and Das Meer hinter der Mauer (2012). Her personal work moves at the boundaries of theater and dance, using dramaturgy as well as improvisation. Text, dance, music and objects have an equal importance of significance on stage. Her performances touch the items of body, genre, femininity, memory and cultural identity in many different ways, using the personal heritage and background as the theater or literature characters. Recently her new solo Qui se cache dans ce corps? has being presented at La Fabka in Saint-Ètienne and at the Théâtre du Galpon in Geneva.

 

At TATWERK | PERFORMATIVE FORSCHUNG:

QUI SE CACHE DANS CE CORPS?