Newsletter
 

Performance
TRANSMUTATION
Horacio Ganem
January 25th 2020 | 8:30 pm


Workshop
EXPERIENCE BUTOH
Horacio Ganem
January 25th - 26th 2020

Performance
On the first night we looked at maps - LOS ALEMANES DEL VOLGA
Wenzel U. Vöcks and Federico Schwindt
Friday, January 31st | 6 and 8:30 pm
Saturday, February 1st | 6 and 8:30 pm
Friday, February 14th | 6 and 8:30 pm
Saturday, February 15th | 6 and 8:30 pm


Workshop
FORGETTING THE BODY
Przemysław Błaszczak, Grotowski Institute Poland
January 31st - February 2nd 2020


Performance
RIVER
Sara Lu, Matthias Geserick, Leo Solter
January 11th 2020 | 8:30 pmWeek 20
February 8th 2020 | 8:30 pmWeek 24
March 14th 2020 | 8:30 pmWeek 29
April 18th 2020 | 8:30 pmWeek 34
May 16th 2020 | 8:30 pmWeek 38


im TATWERK proben!
Ab 5€ / Std.


Workshop
FREE-FORM DANCE Facilitators Training Program
Hadas Fisher Oren
February 7th - 9th 2020



#GLÄNZENSTATTAUSGRENZEN
Die Berliner Erklärung der Vielen


BERLIN braucht KUNST braucht RAUM
Raumkampagne der Koalition der freien Szene


Performance
CLOWN ADAPT
Lecture-Performance by Angela Alves
February 22nd 2020 | 8:30 pm

Federico Schwindt

federico
© Federico Schwindt

Argentinian stage director. He grew up in Buenos Aires where e studied to become a theater director in the UNA (National University of Arts of Argentina). His proffesional life started in the buzzing Buenos Aires’ independent scene where he directed pieces of well-known author (Blood Wedding) as well as of his own authorship (Seguridad) for which he earned national prizes.
Now a Berlin based artist he leads his own company, Compagnie des Wanderers, between Berlin, Paris and Buenos Aires, constantly traveling for residences in situ.
During the last two years he has been in constant cooperation with Tatwerk studio in Berlin, where he has performed, organized residencies and taught courses. The cooperation with the studio has been an essential support for his integration in the Berlin’s off scene.
For an extensive period Federico was a student and assistant in the classes of Peter Rose's learning Grotowski's techniques for the development of body/voice. He will continue to teach the course on his own this year.
Federico is also now organizing a series of workshops exploring the possible links of narration on stage and physical action while developping a working and research group in Berlin. He's also beginning the rehearsals for his new piece : Artes moriendi : ways of dying to be presented in the Performing Arts Festival in Berlin this year.

federicoschwindt.com
www.compagnie-des-wanderers.org

At TATWERK | PERFORMATIVE FORSCHUNG:

WHAT'S IN BETWEEN?

SONG OF MYSELF: A MEMORY IN THE VOICE